curating ..... continued

I have decided to use the first curating optioin i was thinking of. These 2 photos show the position I am hapy with. The figures withthe heads dissapearing off the canvas will still be hung higher than the others while the other 2 will be lower so that you can almost see yourself as them - a mirror.


This is the work now hung on the walls. I dilibarated with having mirror plates as this would make the work rest fully flat againt the wall but i felt the work would be better presented using nails and plaster plugs to hang it, leaving the edges free of the mirror plates. John helped me to do this and it works really well i feel. To finish the space off, we just need to do the name transfers onto the wall with the transfer sheets we went and brought from staples today. I'm also going to have the phrases next to the work.
In the first photo left to right I will name them: "Where's that Brownie?" and "There it is!"














Second photo, left to right: "What's all this?!" and "How did THAT get there?!"

curating.....continued

This is the curating i have come up with currently. it is more dispointed with the other side of the room and the painting of the thighs here will be put higher.

This painting goes opposite the other on the other wall, but i have decided against this. I think it leaves too much negative space.

Curating

This is curating on the other half of the space. I want the same affect on this side with this painting: being higher up and intimidating. I will have the 2 other paintings whos heads stay within the canvas to be lower level than the other 2, this will disjoint the space and bumf the person around the space instead of flowing easily through if they were all on the same level.

These 2 photos are 2 different curating options. I want to have the 2 paintings that have the heads off the canvas to be higher up the wall so that it gives the impressioin of it crowding over the person to be more powerful and intimidating. I am playing with different positions here to work around the piping.


These are photos of the space i am going to be in. There are a few obsticales that need to be worked around like the piping and the boxed section of the wall that takes away wall space. However if i hang the paintings well these shouldn't be negative obsticles.

Titles!!

I have now completed all my paintings for the show, and at the moment, i am pretty sure I want to keep all four paintings to go into the show and (after a chat with Helen who is going to help curate the London Show)I may have two paintings in the London show depending on the space.
Now I need to think about titles for the work, I have completed a small artist statement to go along side the work but as for titles, i'm unsure yet. I could have one title for the whole series but then i thought, it maybe nice to have a kinda small caption for each one that represents the thought of the woman in that pose. My ideas so far are:

"Where did this come from?"
"How did this get here?"
"How will i loose this?"
"Where did that Brownie go?"
"Found it!/That's where it went!"

I don't think 'How will i loose this?'will work very well. It's not as amusing as the other phrases. I think i will go with the other 4 though the 1st 2 are similar so may change one of those. Wen i have arranged my space to suit the paintings i will work out an order that will give the work a flow with the captions.

Completed Painting!!

This is the final painting. It was completed yesturday and i think it is my favourite one of my series yet. Not only because i think the painting is the most improved in this one, but that the message is stronger here. The agression is captured more in this painting.

Fleshing Out...continued

3 Final Paintings

Fleshing Out...continued

Studio

This is the work i completed on Friday 14th last week. I managed to work alot more on this figure, working in the background, the body down to the stomache and painting in the face which i have since blurred to match the other painting. I have used different styles of painting so far; for the face a very undetailed painting that has been blurred to mask her identity and give the effect of her identity fading away as she obseses over being someone else, as well the lit areas of the body along the arms and stomache are going to be blurred into the background. I have used thicker paint on the arms, shoulders and some of the chest area making it more interesting visually and expressing more tonal detail. i have kept the stomache quite flat of paint so far because i liked the dark underpainting quality i had in the mapping that i wanted to keep in the picture. This adds to the effect of her losing herself as only some areas are in focus to the viewer.

Fleshing Out...continued

I had some feedback from my fellow artists and realised that the hand resting on the thigh needs to be wider and to spread the fingers more apart. Also to make that arm more wider as it was very thin. I needed to move the face around as well as it was not sitting in the correct position to be looking down toward the thigh/bum area. But i need to rework this AGAIN because it is now not big enough....................................needs to be matched up to the first hairline but retain the shape and direction. As well as this, i have reworked this photo in Paint to try map out the thigh area again because it looks as though it needs to be larger, more lifted up to distribute the weight onto the back leg more. I've also worked in extra fat lines across the torso to highlight the twisting and bending of the body.

Fleshing Out

I have just realised while posting my last blog that this mapped out painting doesnt look quite in proportion and i think the leg may need to come around a bit more. Using photoshop, the thigh is now bigger and come around more though i will not redo the painting quite this big, a bit smaller than this but this will be the general plan. The hands also will need to be a bit bigger to fit the face.

Fleshing Out

Today i set myself the task of completing mapping out my 4th painting and to finish another one. I managed to get one half way to completion. I have used a blueygreen background in the end though it is mostly blue and a steely blue colour. I really love this colour as the background, i think once the paintings are all completed it will really make it striking.
To begin with, i applied heavy paint to the top half of the background and figure because i wanted enough paint there to blur the face of the model with. The bluring is to represent the female losing her identity and only showing her as a bodily obsessed figure in a mass society. She has no identity other than the representation of her body. Although i am not sure how successfully I will be in applying this idea to the portrait painting of the woman pulling her face. I think that maybe a bit difficult because its so close up to her face. I may have her face more in focus but just fuzzy. Not as wiped out as she is going to be in the other 3 paintings. I quite like both of the stages of my painting so far, before i blurred it and after. Before i did, the painting looks really vibrant and expressive though iv really imagined them having this fading affect. So once i have got all the paintings to the same stage i will see what they all look like with the bluring and may work back into it.

Prep for 3rd painting

When mapping out this painting, i have tried to paint the head in proportion with the body twice but it still dnt look quite right i think. So this edit in photoshop was done to try make a better form to work on again.

Also using photoshop to work out the colours i could use for the background. I am trying to find a colour that reflects the background set of a photoshoot: